极简纸雕艺术摄影海报设计

Please turn each photo I upload into an independent high-end minimalist design poster, no multi-image stitching, each photo output separately. Use a 3:4 vertical composition overall, with the top and bottom regions strictly 1:1 in height, each occupying 50% of the frame.

The upper half preserves the original photo, maintaining the subject structure, realistic texture, natural lighting, and original color atmosphere, with only slight high-end color grading to give it an artistic photography and exhibition visual quality. To fit the frame, the environmental background can be naturally extended, but the subject must not be stretched, distorted, or changed.

The lower half extracts the most recognizable contours, structures, spatial relationships, and narrative features of the subject in the photo, reconstructing them into a miniature paper sculpture scene in the style of layered paper cut art / 3D papercraft diorama / architectural relief. Do not copy photo details, but retain the most core visual symbols, re-expressing them through multi-layered paper, cut silhouettes, hollow structures, and spatial layering, making the subject look like a paper art installation in a modern design exhibition.

Use concise structures, precise edges, multi-layered facets, and slight spatial shadows to build a sense of three-dimensionality, not pursuing realistic 3D rendering, but presenting a lightweight texture combined with paper, architectural models, and art installations. The subject maintains a single visual center, with large areas of white space and a restrained, balanced composition.

The color scheme extracts and remodulates the brightest, most vivid, and most vital colors from the top photo, rather than average color sampling. Overall increase brightness and color purity, using bright hues naturally derived from the original image such as clear sky blue, lake cyan, tender green, warm yellow, coral orange, and peach pink, with ivory white and warm beige as the main spatial background, forming a healing sensation through refreshing cool and warm relationships. The main colors are distinct but not glaring, with local warm orange, golden yellow, or pink as finishing touches. Avoid gray-dirty, old-fashioned, low-tone Morandi-style, dark brown filters, fluorescent colors, and cheap candy feelings.

Minor text intervention, freely generating short titles, numbers, or miniature notes based on the subject, location, mood, or cultural meaning. Use delicate, restrained, modern fonts with an architectural editorial feel, like information labels in art exhibition signs or high-end brand visuals, naturally blending with the white space.

The overall style refers to international design studios, architectural posters, art exhibition visuals, and high-end brand visual systems, presenting paper-cut space, modern Oriental aesthetics, clear colors, large areas of white space, and a high-end sense of craftsmanship. Avoid realistic CG, plastic textures, children's handicraft feel, complex backgrounds, and templated effects.

请将我上传的每一张照片分别制作成一张独立的高级极简设计海报，不多图拼接，每张照片单独输出。
整体采用3:4竖版构图，上下两个区域高度严格1:1，各占画面50%。

上半部分保留原始照片，保持主体结构、真实质感、自然光影和原有色彩氛围，仅进行轻微高级调色，使其具有艺术摄影和展览视觉质感。为适配画幅，可以自然扩展环境背景，但不得拉伸、扭曲或改变主体。

下半部分提取照片中主体最具识别性的轮廓、结构、空间关系与叙事特征，重构为 layered paper cut art / 3D papercraft diorama / architectural relief 风格的纸雕微缩场景。不要复制照片细节，而是保留最核心的视觉符号，通过多层纸片、切割轮廓、镂空结构和空间叠层重新表达，使主体像一件现代设计展览中的纸艺装置。

使用简洁结构、精准边缘、多层切面和轻微空间阴影建立立体感，不追求真实3D渲染，而呈现纸张、建筑模型与艺术装置结合的轻盈质感。主体保持单一视觉中心，大面积留白，构图克制平衡。

配色从上方照片中提取最明亮、最鲜活、最有生命力的颜色重新调制，而不是平均取色。整体提高明度与色彩纯净度，采用清澈天空蓝、湖水青、嫩绿、暖黄、珊瑚橙、桃粉等由原图自然推导出的明快色相，并以象牙白、暖米色作为主要空间背景，通过清爽冷暖关系形成治愈感。主色鲜明但不刺眼，局部暖橙、金黄或粉红作为点睛色。避免灰脏、发旧、低沉莫兰迪化、暗褐滤镜、荧光色和廉价糖果感。

文字少量介入，根据主体、地点、情绪或文化含义自由生成简短标题、编号或微型注释。字体使用细致、克制、具有建筑编辑感的现代字体，像艺术展签或高级品牌视觉中的信息标注，与留白自然融合。

整体风格参考国际设计工作室、建筑海报、艺术展览视觉和高级品牌视觉系统，呈现纸雕空间、现代东方美学、清透色彩、大面积留白和高级工艺感。避免真实CG、塑料质感、儿童手工感、复杂背景和模板化效果。